Spimov rebuilds your film's audio track: it translates the lines, clones each actor's voice and keeps the tone and emotion intact — without waiting for a studio slot.
Updated: 2026-08-24
The real obstacle to releasing a film in another language is not translation, it is production. Booking a studio, casting a voice actor for every character, recording days, mixing and revision rounds add up to weeks and a separate budget line for a single language. For an independent producer that usually means never entering that market at all.
Spimov runs the same job in one browser-based flow: it transcribes the dialogue, produces a context-aware translation, clones each actor's vocal character, aligns the audio to the scene's timing and, if you want, reshapes lip movement to match the new audio. The person speaking in the new language is still your actor — not a generic voice-over.
The idea in one line: it doesn't just translate, it feels. A line has to land close to the original tone and emotion, not only to the right words. And the final say stays with you — every line is visible, editable and re-renderable.
Drop an MP4, MOV, MKV, WEBM or M4V file. Spimov transcribes the dialogue, separates the speakers and produces a timestamped script.
Choose your targets from 600+ languages. Assign each character a clone of the original actor's voice or a voice profile you saved earlier.
Read the translation line by line, fix any wording and re-voice only that segment. You never have to reprocess the whole film for one change.
You get the video with lip sync applied, a separate audio track and subtitle files — ready for a distributor or a festival submission.
For films shot in a single language that deserve more than one market, without opening a separate dubbing budget. Test a short scene on the free plan and judge the result with your own ears.
For catalogues worth putting back into circulation. An archived film gains a new language version without a single new day of shooting.
Being able to say “it exists in that language too” changes the negotiation. You can prepare a sample language version in hours rather than days and take it to market.
Some submissions only need subtitles, others expect a voiced version. Spimov produces both from the same job, so hitting the deadline doesn't depend on a studio calendar.
Let's be straight about it: studio dubbing is an interpretation. A dubbing director, casting, rehearsals and repeated takes add a new layer of performance to the film. Spimov does not claim to reproduce that exactly; what it does is carry the tone and emotion of the original performance into the new language.
The difference shows up as an order of magnitude. A turnaround measured in weeks at a studio is measured in hours here. Instead of a fixed studio day and cast fee, you pay for the runtime you process. The setup you build for one language isn't rebuilt for the second and third — it is duplicated from the same job.
Revisions work differently too. At a studio, one changed line means another recording session; here you edit the line and re-render only that segment, leaving the rest of the film untouched.
When is a studio the better call? On a large theatrical release where the dub itself is an artistic choice and the cast is part of the marketing, a studio is still the right address. When speed, language count and budget decide, Spimov's advantage becomes clear.
Only upload work you own or have written permission to use. Dubbing is an adaptation of the work, so clarify who holds the script, music and any original voice rights before you publish. This is not legal advice — check it against your distribution agreement.
Yes. A person's voice is part of their personal rights; make sure the actor's contract covers this use before cloning. Alternatively you can assign the character a library voice or a voice profile you recorded yourself.
It depends on runtime, how dialogue-heavy the film is, how many languages you pick and whether lip sync is on. As an order of magnitude: work a studio schedules in weeks becomes work that can finish the same day. Feature-length uploads are supported on paid plans; current duration and file limits are listed on the pricing page.
600+ languages are supported. You can produce several language versions from the same film and get subtitles for each from the same job. How many jobs run at once depends on your plan.
Yes. The free plan lets you upload a short scene and listen to the result with no credit card. Free output carries a watermark and has a length limit — enough to judge the quality on your own material before deciding.
Upload a short scene, pick a target language and judge the result yourself.
Try one scene free